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(A steep-streeted mediaeval hill town of moderate interest, but with a most
beautiful Romanasque abbey nearby).
Montalcino
Turn right off the SS 2 (via Cassia)where it is signposted just after Buonconvento.
The best car-park, if there is space, is right up the hill in front of the Fortezza.
Montalcino has all the required attributes of a Tuscan hill town: fortress,
mediaeval town hall with tower; irregularly shaped central piazza; art gallery;
duomo. But none is outstanding - although the art gallery has recently been
modernised and is now one of the best set out in the Senese. Historically, the
town's main claim to fame is as the place to which 700 leading Sienese families
fled in 1555 when Siena finally fled to the French and Florentines. They stayed
for four years, flying the black and white flag of Siena, until Montalcino also
submittted to Florence. Now, Montalcino is a wine and honey town, famed for
its 'Brunello' wine, which is on sale in every other shop in the town.
The fortress (Fortezza, open 9-13 and 14.30-1) is impressive. The ramparts
were built by the Florentines after they took control of the town, and there
are the usual extensive views from them. The way up to the ramparts and the
small museum in the Fortezza is through the wine-bar (enoteca) on the ground
floor; tickets can be purchased from the bar.
From the Fortezza, one can go down via Ricasoli to the 14th century church
of San Agostino on the right. Its elegant Gothic marble doorway has a discreet
touch of Sienese black and white stripiness.
Just up the road to the left, at No 4, is the art gallery, the Museo Civico
e Diocesano. It has a small collection of mainly 15th century Sienese painting
and sculpture.
Down the hill behind San Agostino, a road (or steps through a tunnel) leads
down to the diminutive main square, the Piazza del Popolo. It is dominated by
the mediaeval town hall, the Piazza del Popolo, complete with tower and family
crests of mediaeval mayors. In the arcade beneath the tower there is a 16th
century statue of Cosimo I, the Grand Duke of Tuscany at the time of the Florentine
take-over, no doubt commissioned to mark that event. There is a cafe under the
pretty 14th century loggia on the other side of the square that makes a good
place for a coffee-break.
San Antimo
This abbey church, one of the oldest and most beautiful in Tuscany, is about
10 km to the south-east of Montalcino, well sign-posted with yellow signs. It
is set in a grove of olives and cypresses just below the village of Castelnuovo
del Abate (the olive trees include some of the few survivors of the great frost
of 1985 that killed almost all olive trees in Tuscany down to ground level;
they were at first thought to be completely dead, but then sprouted branches
from the roots -which explains why most now look like bushes rather than trees).
Until 1979, the church was deserted, the abbey buildings having long since disappeared.
But now a small group of monks has come back, living in the building to the
right of the church. The church is open to visitors from 10-12.30 and 15-18.30,
but it is usually possible to sit at the back to listen to the monks chanting
the Offices at 12.45, 14.45 and 19.00. There is also a Gregorian Mass at 11.00
on Sundays.
The abbey was founded by Charlemagne when he conquered Tuscany in the 8th
century. The legend is that his army, returning from Rome, were struck by an
epidemic when they got to this spot. The church was the fulfilment of a vow
made by Charlemagne if the sickness stopped. But all that remains of the Carolingian
church is its apse (to be seen on the outside next to the main apse) and the
crypt. The present church was built in around 1118 of wonderful pale honey-coloured
stone.
The exterior is dotted with ancient carvings of fantastical animals, although
some of the best are unfortunately round the door on the right-hand side of
the church which has now been closed off to accommodate the monks. Particularly
unusual for that early period is the panel with a Virgin and Child at the base
of the tower. The facade was never finished, and there was obviously uncertainty
as to whether to have a double or a single door. The original ornate porch has
not survived, although the lions on which its pillars rested are just inside
the door.
Inside, there is a marvellous feeling of light and height. The church is built
on the normal Romanesque basilica pattern, with elegant and interesting capitals;
note in particular Daniel in the lions' den above the second column on the right
(with two lions eating each other simultaneuosly on the other side). The deambulatory
behind the altar is one of the most beautiful parts of the church, several of
the columns or their bases being of alabaster or onyx, translucent when the
sun - or a torch - shines through them. The Piccolomini Pope Pius II suppressed
the abbey in 1462 and made it part of the diocese of Montalcino, rubbing in
his dominance by leaving left his half-moon crest all over the place, for instance
on the flag-stones round the altar. The carved stones round the door into the
sacristy (on the right) are supposed to have come from the original Carolingian
church. The sacristy itself (rarely open) is in what remains of the Carolingian
building; it is covered in 15th century grisaille frescoes of the life of St
Benedict.
.1 j
The church contains two ancient and beautiful wooden sculptures: a stark and
tragic crucifix over the altar and a Virgin and Child in a glass case on the
right, both dating from the l3th century. Beneath the altar is a small crypt
with a fresco of the Pieta.
Restaurants
Montalcino is a bit of a gastronomic centre, and most restaurants are reasonably
good. In the town, a good value basic Tuscan meal can be had at Trattoria Sciame
on via Ricasoli half-way between the fortress and San Agostino. Out in the country
on the way to San Antimo, the Taverna dei Barbi is an agreeable, smart and fairly
pricy restaurant in an old farmhouse. Poggio Antico, 4 km to the south-west,
is one of the few restaurants in the Senese to have a Michelin star.
(1996)
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